MABON (21 Semptember 2011)

The musick dedicated to this Sabbat is:

FORSETI

ERDE




Original Issue: 2004 Goeart/Grunwald (No Number)

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Margot-meter: 5 moons / 5

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Do not forget to take a look at the comments section :-)

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from Heathen Harvest :

Forseti has presented me one of the greatest reviewing challenges I've faced in years: "Erde." This is a good thing. I've not encountered an album that I've enjoyed so much, so intensely, from the start for quite some time. The last time I enjoyed a release this much, and felt so moved by it, was when I got a demo tape of Michael Gira's Angels of Light album "Mother." Ironically, it leaves me lacking any real adequate words to describe it. Simply: I like it! There's no single reason why I like "Erde" so much. The guitar work is excellent, not presumptuous or incompetent. The voice is controlled, serious, and comforting at the same time. Pacing throughout the whole release is impeccable; there is so much here to enjoy I don't want to break the album down into various analyses or tracks. Doing such a thing, I feel, would be a discredit to the listening experience. I can't help but admit, however, that "Erdennacht" is the best track on "Erde." There is no doubt about this.

Erde's packaging and presentation are superb. Printing, textures, and design are all top grade. I love seeing a product that artist, label, and distributor all take pride in. They all match the aesthetic and the sonic feel of the album. Guests on "Erde" include Ian Read and B'eirth among many others. Unless I miss my bet, with a few more albums and some more exposure, Andreas Ritter—Forseti's creator and core—is going to go places. This album will remain on my player for some time to come. I can only hope his next album is at least this good. If you are going to buy only one Neo-Folk album this year make it "Erde."

FULL STURGEON MOON (13 August 2011)

The musick dedicated to this Esbat is:

CAMERATA MEDIOLANENSE

CAMPO DI MARTE


Original Issue: 1996 Discordia (Disc 093 CD)

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Margot-meter: 5 moons / 5

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Do not forget to take a look at the comments section :-)

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from Old Europa Café:

This album was released back in 1996 and is still one of the very best Neoclassic albums ever ! True European music!

The quality of Camerata in their music stile is unique and no other group was able to achieve such results …

Fanfare, Drums, super wonderful Vocals especially the female ones, Cembalo plus other classic instruments, simply majestic sounds and exquisite compositions !

LAMMAS (01 August 2011)

The musick dedicated to this Sabbat is:

DER BLUTHARSCH

THE TRACK OF THE HUNTED



Original Issue: 2000 WKN (WKN 10)

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Margot-meter: 5 moons / 5

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Do not forget to take a look at the comments section :-)

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from Stereo Invaders (Google Translation from Italian :

"The trace of the man who is prone to hunting," fate, oppression, predeterminism, escape, violence, foreboding, anxiety, grief, all this is contained in the title of the album and the music it contains. In perfect consistency with the ideal artistic vision and content by Albin Julius, Der Blutharsch. Dark ambient, martial neofolk with drifts; Titanism atavistic, primal well-commented that it would corrupt the exploits of Roman patricians, or the exploits of the heroic classicism of Prometheus, in constant struggle with adverse fate and divinity. If someone is pushed to label as "sacred music" that consists of Julius would certainly shocking and unorthodox in his thinking, but not so far away from the essence of true. Many ethnic and popular music (folk) got the basics of the Austrian composer to write this "TTOTH". We are in the presence of the usual track list (10) untitled; "let the music do the talking" to put American and undoubtedly contributes to donate so much mystery also the right atmosphere to the project Der Blutharsch. For those wishing to necessarily references, except the understanding that Albin Julius is very unique, I could mention a few moments of Death in June (with which our works well) and Ordo Rosarius Equilibrio, although compared to the Swedes there is less room for the esoteric and the occult here, however, the greater the interest in the human comedy, made of misery and nobility, power and submission. Albin plays and manipulates samples like no other, creating real works of symphonic ambient neofolk post-industrial, able to lift the soul of the listener and land at the same time. The track number 9 in particular is a sample (shown in full) of a 30s song in German, probably a song that he met his fortune under the Nazis. Fascist and neo-Nazi epithets are often saddled with Julius, so in the past prevented him from concerts in Israel, and this is largely due to the use of iconography and issues close to the Third Reich by Julius. A course nothing is worth the net claim against the person concerned, or his firm will be able to play in the land of David.

EOSTRE (21 March 2011)

The musick dedicated to this Sabbat is:

TEATRO SATANICO

PAN IST TOD



Original Issue: 2007 Old Europa Cafe (OEMP 012) Buy it here!!!

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Margot-meter: 5 moons / 5

To learn more about Teatro Satanico

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from Old Europa Cafe :

Do you think you can foresee how will sound the new Teatro Satanico’s songs ?
Do you think Teatro Satanico plays only elektronic music ?
Do you think Teatro Satanico has not more trick-or-treat to play on you ?
Do you know that PETER PAN was a real soldier and that he is dead and buried ?
Do you know that his grave is located on a mountain in Veneto, the Italian region where Teatro Satanico’s guys live ?
Don’t you believe it? Well, look to the photo of his grave on the cover of the new Teatro Satanico PAN IST TOD album !
Hardly to expect it, but these Italian devils recorded some real neo-folk tunes with a marching, pop touch this time !
And due to its peculiar oddity it will become a very unique feature into the official Teatro Satanico’s discography, since here we are talking about “no-synthesizer musik”, the trademark of the previous Teatro Satanico releases.
Expect the unexpected ! Believe the unbelievable !
Once again Teatro Satanico proves to be one of the more original and unforeseeable contemporary post-industrial project in a post-industrial scene full of poseurs, fake-artists and obvious predictable releases.
Beware of Teatro Satanico, they do bite your certainty!