Showing posts with label Medioriental. Show all posts
Showing posts with label Medioriental. Show all posts

Saturday, 18 October 2008

FAREWELL MOON (epitaph musick)

This post is dedicated to Hector Zazou (11 July 1948 - 08 September 2008)

ZAZOU HECTOR

SAHARA BLUE

CHANSONS DES MERS FROIDES

Original Issue: 1992 Made To Measure (MTM 32) & 1994 Sony Music (COL 477585 2)

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Margot-meter: 4 moons / 5

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Tracklistings: Sahara Blue and Chansons Des Mers Froides

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

from Wikipedia�:

Zazou first came to international attention as part of the ZNR duo with Joseph Racaille, where both played electric keyboards. Their 1976 debut album Barricades 3 was notable for its "strong Satie influence, stripped to minimal essentials, everything counts".

Long-time collaborators include trumpeter Mark Isham; guitarist Lone Kent; cellist and singer Caroline Lavelle; trumpeter Christian Lechevretel, who has appeared on all of Zazou's albums after Sahara Blue; clarinetist and flutist Renaud Pion, who has appeared on all of Zazou's albums since Les Nouvelles Polyphonies Corses; drummer Bill Rieflin; and Japanese recording artist Ryuichi Sakamoto.

His discography demonstrates his affinity for cross-cultural collaborations, and incorporated modern techniques and sounds in re-recordings of traditional material. He was influenced by Peter Gabriel's album Passion: Music for The Last Temptation of Christ in his fusion of musical polarities (traditional and modern, electronic and acoustic) on his own album Les Nouvelles Polyphonies Corses.

Zazou regarded his work during the 1980s as his time of apprenticeship in the studio. On his 1986 album, Reivax au Bongo, he experimented with fusing classical vocals with an electronic backdrop. On his 1989 album, Géologies, he combined electronic music with a string quartet.

The albums that he has released under his own name from the 1990s onwards are usually concept albums that draw from literary or folk sources and revolve around a specific theme. The collection of songs on each album assemble contributions from a diverse and global range of pop, folk, world music, avant-garde, and classical recording acts.

Zazou's 1992 offering, Sahara Blue, was based on an idea by Jacques Pasquier. Pasquier suggested Zazou commemorate the 100th anniversary of the death of author Arthur Rimbaud by setting music to Rimbaud's poetry. Contributions included spoken word from Gérard Depardieu, Dominique Dalcan and music by Brendan Perry and Lisa Gerrard of Dead Can Dance, Tim Simenon, and David Sylvian. He even adapted a traditional Ethiopian song.

In 1994, he released the album Chansons des mers froides (called Songs from the Cold Seas for the anglophone market). The album was based on ocean-themed traditional folk songs from northern countries, such as Canada, Finland, Iceland, and Japan. It featured vocals by pop and rock artists such as Björk, Suzanne Vega, John Cale, Värttina, Jane Siberry, and Siouxsie Sioux in addition to recordings of shamanic incantations and lullabies from Ainu, Nanai, Inuit, and Yakut singers. Musicians included Mark Isham, Brendan Perry, and the Balanescu Quartet. A cameraman accompanied Zazou on the project and they shot and recorded in Alaska, Canada, Greenland, Japan, Scandinavia, and Siberia. The single "The Long Voyage" was the only song to be an original composition from Zazou. He wrote it in gratitude to his record company Sony who gave him complete artistic liberty. Performed by Suzanne Vega and John Cale, it was released as a single in 1995. The single featured remixes by Mad Professor as well as Zazou himself.

His 1998 album, Lights in the Dark, showcased ancient Celtic music sung by Irish singers.

Zazou's collaborative 2000 album 12 (Las Vegas is Cursed) with Sandy Dillon was regarded as a financial and critical failure. In the book "Sonora Portraits 2", which accompanies the CD Strong Currents, Zazou says that 12 (Las Vegas is Cursed) was his most elaborate album. He describes it as a work of black humour and regards his instrumental composition "Sombre" on the album as one of his best songs ever.

Strong Currents was released in 2003 and featured an all-female vocal cast which included Laurie Anderson, Melanie Gabriel, Lori Carson, Lisa Germano, Irene Grandi, Jane Birkin, and Caroline Lavelle. Musicians included Ryuichi Sakamoto, Dennis Rea, Bill Rieflin and Archaea Strings. The album took six years to complete.

In 2004 Zazou released a companion CD of sorts, L'absence, which included instrumentals, many of the same female vocalists that were featured on Strong Currents, and one male vocalist, French singer Edo.

Zazou has recently been a member of the musical collective named Slow Music. The lineup also included Robert Fripp and Peter Buck on guitars, Fred Chalenor on bass, Matt Chamberlain on drums, and Bill Rieflin on keyboards and percussion. He contributed electronics to the group's music, and much of his recent work, including a soundtrack for Carl Théodor Dreyer's silent film La Passion de Jeanne d’Arc and the multimedia collaboration released as a CD in 2006, Quadri+Chromies, has focused on electronic sounds produced on computers.

A number of recent projects are documented on the Music Operator interactive multimedia web site, which graphically documents his recent collaborations while in the background his recent music plays. In january 2008 Hector Zazou released his newest album, Corps électriques, featuring "one of the original riot grrrls" KatieJane Garside, Bill Rieflin, Lone Kent and fusion jazz trumpeter Nils Petter Molvær.

Thursday, 2 October 2008

HALF MOON (medioriental musick)

HORTOBÁGYI LÁSZLÓ

TRADITIONAL MUSIC OF AMYGDALA

Original Issue: 1991 Erdenklang (91349) Buy it here!!!

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Margot-meter: 4 moons / 5

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

1 The Ritual Of Maháparinirvána (8:44)
2 Legend Of Yrch (4:48)
3 The Márg Of Excessus (10:05)
4 Hypotaxis (5:11)
5 Kyrie Bhajan (1:24)
6 The Inanis Mantra (2:33)
7 Bhairaví (7:26)
8 Anankhe Gat (5:59)
9 The End (2:07)

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

from Erdenklang:

"Traditional Musik of Amygdala" offers you an imaginary journey throughout the entire Amygdala Empire in the spirit of the ethno-musicology expeditions at the turn of the century.

"Traditional Music of Amygdala“ is a musicological-sociological fiction with a great past in human culture concerning ceremony of alienation and death, wrapped in rituals and mysteries.

Amygdala (corpus amygdaloideum) is to be found in our brain; hidden there are human "behaviour“, genetically inherited and the instinctsystem formed by culture and environment. The world is being totally reorganized by the modern industrial societies with their overhelming superiority in technology and dynamic expansion, and all the traditional cultures which are alien to their technologically "homogeneous“ societies are doomed to extinction.

Therefore a real possibility exists that the traditional cultures will out before they can get into "world-culture“ circulation. With this mystical, futuristic pictures László Hortobágyi by no means describes an apocalyptic mood. He sensitizes our cultural (listening) consciousness by transporting, in his stories and music, Asian culture images into socio-political surroundings of the future.

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

from Amazon:

Lâszlô Hortobâgyi - is a Hungarian avant-garde musician and the godfather of "Gâyan Uttejak Society" - an Eastern European society dedicated to the study of oriental music. His music is heavily influenced by North Indian music, but often incorporates a wide variety of instruments, vocals, and arrangements from around the world and from various time periods.

In one of his interviews Lâszlô noted that he sees music as time travel, and his album "Traditional Music Of Amygdala," released in 1991 proves just that. It is a ethnographical, mythical, musical journey to the fictional empire created by the eccentric mind of Lâszlô Hortobâgyi. The name of the album according to the press release comes from Corpus Amygdaloideum located in human brain - "hidden there are human "behavior", genetically inherited and the instinct system formed by culture and environment." Taking this as a starting point, Lâszlô Hortobâgyi creates an entire fictional Amygdala culture, complete with fictional geographical locations, religion, philosophy, etc. Lâszlô Hortobâgyi tells us about Amygdala in nine out-worldly tracks accompanied by fascinating notes written by Lâszlô himself.

"Traditional Music Of Amygdala" is a bizarre, yet beautiful combination of Indian classical music, modern Western computer arrangements, with an occasional vocal or instrumental touch of unidentifiable origin. It's a fantastic music journey that is worth every dollar you spend on it.

Maxim Eremine

Thursday, 22 May 2008

HALF MOON (medioriental musick)

BENNETT JUSTIN
THE MOSQUES OF TANGER

Original Issue: 1997 Staalplaat (STmCD 009)

Margot-meter: 5 moons / 5

A CD-Single, released on Staalplaat, it contains a single recording of the mosques of Tanger at sunrise. Recorded high up on a rooftop, the calls from the many different mosques mix and resonate as they cross the city.

BELIEVE ME!
YOU SHOULD NOT MISS THIS SHINY JEWEL!

1 The Mosques Of Tanger (20:36)

from The Wire:

Record of the month, no question.

Released on miniature 3" CD - after the 12" single my favourite format - this is 20 minutes of North African muezzins calling the faithful to prayer through their lo-fi mosque-top PA systems.

It begins and ends with Mediterranean dawn ambience, cicadas and cockerels. We hear the first call, maybe a mile away; gradually other calls are layer in, but the best moments are to do with the eerie beauty of sound heard at a great distance.

Presumably the recordist, Justin Bennett, has discreetly stitched the whole thing together from several recordings. The ear can roam freely though the soundscape rather like exploring a city on foot, enjoying aural accidents.

Clive Bell