Showing posts with label Cold Meat Industry. Show all posts
Showing posts with label Cold Meat Industry. Show all posts

Wednesday, 2 November 2011

SAMHAIN (31 October 2011)

The musick dedicated to this Sabbat is:

MORTIIS

ÅNDEN SOM GJORDE OPPRØR




Original Issue: 1995 Cold Meat Industry (CMI.31)

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Margot-meter: 5 moons / 5

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Do not forget to take a look at the comments section :-)

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

from http://www.metal-archives.com/:

Onward from the slower, majestic predecessor, Fodt Til A Herske, Mortiis continues to bring you on a journey with the epic releases he has created. With Anden Som Gjorde Oppror, he is able to continue with his musical anticipations. Unlike the slower, more emotionally connected predecessor, the sophmore album of Mortiis shows a different side. You can just picture marching into a battle with this music being the ambience to surround you with every step you take upon the frostbitten grounds.

Words can hardly describe Mortiis. As in the first full-length release, Mortiis continues to create music that's like the soundtrack of a majestic film setting. Though unlike the first one with the mere castle standing within your vision, Mortiis decides to bring a more epic warlike theme to the second full-length release. You'll feel ready to march into battle to slay the enemies. Unlike most warlike opus' you find, this release is more natural form of the warlike atmosphere that remains to keep you on the edge of your seat with passion for the true beauty that music can create and allow you to visualize.

Mortiis again is able to define the true wonders that music can create upon the souls. Showing the more natural sounds of atmospheric brilliance through his early works. With the heavy, more furious sides of music. Possessing very harsh surroundings in a medieval visualization, and then to persue a light more peaceful side. Even with war, there must be peace. Mortiis is able to capture both sides of the spectrum through this second journey known as Anden Som Gjorde Oppror. Mortiis is also able to conclude both epics with a climatical ending that reaches much higher plateus each time.

This album cannot be denied as a brilliant work of art. Mortiis is able to display every feeling in a manner so clear with this release. From the more angered emotions, to the victorious feelings, to the darker emotions still lurking in the shadows. Everything in put together into the perfect formation to show all aspects of the story being told. Much like Fodt Til A Herske, Anden Som Gjorde Oppror was able to tell a story with not a dry moment. All of it remains a beautiful essence of the true art behind his musical brilliance.

There is no questioning of Mortiis' creations. This album is clearly parallel to Fodt Til A Herske with the true feeling of Mortiis lying right inside the undertow, but at the same time has a soul of its own that is sometimes hidden under the shadows of Mortiis's first release. Everyone will remember his very first masterpiece, but this one shows an equally, if not more powerful beast as Mortiis is able to mature his sound. When in comparison with the predecessor it's clear that Mortiis has evolved through the time between the two releases as he makes a more complete feel with this second album. It can no longer be shadowed and break out of the cacoon as it brings its own spirit into existance with two new epics which keep the body of Mortiis' music, while expanding the horizons into the very peaks of each mountain, and higher into the heavens of musical beauty, power, and epic brilliance.

Sunday, 13 March 2011

FULL WORM MOON (19 March 2011)

The musick dedicated to this Esbat is:

IN SLAUGHTER NATIVES

IN SLAUGHTER NATIVES


Original Issue: 1988 Cold Meat Industry (CMI-04)

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Margot-meter: 4,5 moons / 5

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Swedish industrial act, formed by Jouni Havukainen in 1985. ISN has used many different sounds over the years, from dark ambient soundscapes to martial industrial stompage to neoclassical orchestration.

Wednesday, 26 September 2007

FULL HARVEST MOON (26 September 2007)

The Musick dedicated to this Esbat is:

IN SLAUGHTER NATIVES / DEUTSCH NEPAL
MORT AUX VACHES

Original Issue: 1995 Staalplaat (No Number - Limited to 1000 Copies)



Margot-meter: 4 moons / 5

01 In Slaughter Natives Mort Aux Vaches

a) In Slaughter Natives Awakening Clean Cathedral
b) In Slaughter Natives Pure Sacred Worms
c) In Slaughter Natives To Mega Therion
d) In Slaughter Natives Death Just Only Death
e) In Slaughter Natives Skin Sore Eyes

02 Deutsch Nepal Mort Aux Vaches
a) Deutsch Nepal Father
b) Deutsch Nepal 29 Needles
c) Deutsch Nepal Horses Give Birth To Flies
d) Deutsch Nepal October Lund-Home


A Review:

Dronology #2: where Industrial Churning merges with Goth gurning.

In Slaughter Natives' descriptively titled "Awakening Clean Cathedral" is a wonderful hokum of deep, lowing crypt sounds, tolling bells, circling vulture squeals, disembodied choir, severed finger piano exercises and Gregorian moans.

...

Dronology #3: Deutsch Nepal's miasma of mesmerisms is confounded from voiceloops, souk atmospherics and yo-yo sample trickery. Their barren dronescapes work up emotive elegies evocative of some lost land.

Biba Kopf - The Wire 134 - April 1995